As an institution
representing and actively creating an official version of history and
knowledge, the National Library of Quebec in Montreal -- with its inherent
purpose, impressive architecture, massive holdings and reference-only
policy -- was the appropriate site to put into question the authority
of the book and the capacity for individuals to intervene in the course
of history's construction. Having worked out to install myself in the
main reading room of the Library over a period of eight hours, I assembled
150 copies of FRAGMENTARY EVIDENCE. Each book was sorted uniquely with
a different layering of text and image pages. Not having a formal binding
this manner of book refuses the imposition of a linear reading and offers
the possibility of multiple (sometimes competing) reflections and connotations.
The library was open to the public during the event and people were
invited to participate in the process.
